The Song of Freedom Poem Summary Class 9 English

Let's respect the agricultural community. Respecting them will help eliminate greed. Do not go beyond what we need. Let's be in need while avoiding greed. Immoral practices will come to a stop. Let's be resilient and safeguard our health. Please do not sag. Succumb to sinister pleasures like drinking and gambling. The poet urges readers to heed the adage that "work is worship."

He implores the populace to instill a sense of nationalism and enslavement. We should live together so that no country may use us as slaves. We shall undoubtedly thrive and honor the All-Powerful. Let's broaden our thinking, and by doing so, we might experience the heaven of freedom.

About The Poet

Subramania Bharati, also known as C. Subramania Bharati, was an Indian writer who is considered the father of the modern Tamil writing style. Born in Ettaiyapuram, Madras Presidency, India, on December 11, 1882, and passed away in Madras (now Chennai) on September 12, 1921, Subramania is also known as Subrahmanya.

Bharati, the educated Brahman's son, excelled in Tamil studies from a young age. However, he only acquired a limited amount of formal schooling before relocating to Madras (now Chennai) in 1904. He ultimately joined the Tamil daily publication Swadesamitran after translating English into Tamil for various periodicals there. His membership with a section of the Indian National Congress party that supported the armed rebellion against the British Raj was a result of his exposure to political issues. He was compelled to leave for the French territory of Pondicherry, where he lived in isolation from 1910 to 1919. Bharati achieved public recognition during this period with his nationalistic poetry and articles. He was temporarily detained upon returning to India in 1919 before reuniting with Swadesamitran. He suffered injuries from an elephant in a Madras temple, which led to his death in 1921.

The most well-known compositions of Bharati were Kuyil pu (1912), Panchali sapatham (1912), and Kaan pu (1917; Songs to Krishna). Agni and Additional Poems, Translations, Articles, and Other Written Fragments (1937) are a compilation of several of his English-language writings.

Death

The imprisonments had a significant impact on him, and by 1920, when the general amnesty order finally eased the limits on his travels, Bharathi was already having trouble. He was struck by Lavanya, an elephant he used to feed daily at the Parthasarathy temple in Triplicane, Chennai. The elephant, Lavanya, attacked Bharathi after being served a coconut by him. Despite surviving the tragedy, his health declined a few months later, and on September 11, 1921, at approximately one in the morning, he passed away. According to records, despite being regarded as a great patriot, exceptional freedom warrior, and social visionary, just 14 individuals were said to have attended Bharathi's burial.

At the Karungalpalayam Library in Erode, he gave his final address on the theme "Man is Immortal." He spent his final years in a home in Triplicane, Chennai. In 1993, the Tamil Nadu government purchased and refurbished the home, giving it the name Bharathi Illam (House of Bharathi).

Works

One of the founding authors of contemporary Tamil literature is Bharathi. Contrary to his Tamil writings from the previous century, which had a complicated vocabulary, Bharathi employed straightforward phrases and rhythms. In his religious poetry, he also used cutting-edge concepts and strategies. In the majority of his compositions, he employed the Nondi Chindu meter, which Gopalakrisnha Bharathiar had previously employed.

The poetry of Bharathi embodied a progressive, reformist ethos.In a number of ways, his poetic vitality and imagery predated contemporary Tamil poetry. He established a powerful style of poetry that blended classical and modern elements. His prolific output included tens of thousands of lines on a wide range of subjects, including Tamil language glories, love songs, kids' songs, songs about nature, and odes to important Indian liberation warriors like Lajpat Rai, Tilak, and Gandhi. Even homages to Belgium and New Russia were written by him.

In addition to poems on Hindu deities like Shakti, Kali, Vinayagar, Murugan, Sivan, and Kannan (Krishna), Bharathi also wrote poetry about other religious deities, including Jesus and Allah. Thousands of Tamil readers have read his works. He translated talks by Indian National Reform stalwarts like Sri Aurobindo, Bal Gangadhar Tilak, and Swami Vivekananda since he was fluent in several languages. Both Tamil Wikisource Subramaniya Bharathi and the Project Madurai open-access Tamil literature repository contain Bharathi's works. In 1949, Omandur Ramasamy Reddy, the then-chief minister of Tamil Nadu, nationalized Bharathi's works, bringing them under the public control of the government.

Legacy

The most prestigious National Subramanyam Bharati Award was established by the Indian government in 1987. It is given yearly to authors of exceptional works of Hindi literature and is presented in conjunction with the Ministry of Human Resource Development.

Bharathiar Institution is a state institution in Coimbatore bearing the poet's name. Both the Indian Parliament and Marina Beach have statues of Bharathiar. In 2000, Gnana Rajasekeran produced the Tamil film Bharathi, which received the National Film Award for Best Feature Film in Tamil. It was based on the life of the poet. S.V. Subbaiah portrays Subramania Bharathi in the film Kappalottiya Thamizhan, which details the significant battles of V.O. Chidambaranar, Subramanya Siva, and Bharathiar.

In honor of the two renowned poets Umaru Pulavar & Subramania Bharathiyar from Ettaiyapuram, Professor Muhammadu Sathik Raja established the Omar-Bharathi Educational Trust at Thiruppuvanam Pudur, close to Madurai, on August 14, 2014. Despite the three-century time gap between these two poets, their contributions to the Tamil language and devotion to God have elevated them to legendary status. The financial hardships experienced by the two poets prevented them from meeting the needs of their families. Numerous streets bear his name; prominent ones include Subramaniam Bharti Marg in New Delhi and Bharathiar Road in Coimbatore.

Theme Of Poem

The primary themes of "Song of Freedom" are the celebration of emancipation, female empowerment, and the inherent human longing for freedom. This subject is connected to the notion of overcoming oppression in all its manifestations, whether it be physical, psychological, social, or ideological.

The poem presents independence as a fundamental and important quality of the human soul that cannot be permanently suppressed. It investigates the significant effects of the desire for emancipation on people and civilizations. The subject highlights the transforming power of freedom, emphasizing its capacity to elevate and inspire, to fan the flames of bravery and resolve, and to cultivate perseverance in the face of hardship.

The images and words used throughout the poem may allude to the trials and obstacles experienced on the way to liberation in addition to the joy, excitement, and feeling of purpose renewal that come along with it. It might address the idea of freedom as an unalienable right and the repercussions of denying or restricting it.

In the end, the "Song of Freedom" hopes to inspire feelings of optimism, grit, and the boundless human spirit. It highlights the innate desire for freedom and its transforming potential, energizing people to persevere, confront injustice, and seize the opportunities it offers.

Summary

Stanza 1.

In the first stanza, the poem aims to portray a liberated India, or the poet celebrates our nation's freedom. In the first verse, the poet praises the independence of our nation. The poet asks us to dance and sing in celebration.

Stanza 2.

In the second stanza, according to the poet, we are now liberated from all types of oppression and slavery. The caste system is no longer in use. We no longer need to fear foreign authorities. We are not required to be tame or deferential. We won't be susceptible to trickery anymore.

Stanza 3.

The third verse expresses the poet's point that we should all stick together and prioritize our freedom over all other considerations. We should prioritize kindness and equality. The poet asserts that equality is the true embodiment of grace and that freedom is our common language. He assures his fellow soldiers that they will sound the victory horn and proclaim the truth to all. He promises that collectively, they will demonstrate to the outside world just how precious Indians are.

Stanza 4.

In the fourth verse, the poet emphasizes that everyone is created equal. Here, lying and dishonesty are not permitted. He thought that the age of devastation was over and that only the magnificent would win.

Stanza 5.

The poem's fifth line suggests that we should treat farmers, workers, and everybody else with the regard that they deserve. He describes as shameful the glutton (those who are greedy) and the rake (those who are immoral). He maintains that nobody ought to spend their time cultivating wastelands and taking care of the needs of idlers.

Stanza 6.

In the sixth stanza, the poet wants us to realize that this will always be our own home. We should have confidence that no other power will ever take us captive. We ought to carry out our obligations and give thanks to God. By doing this, both the nation and ourselves will prosper.