Everything Everywhere All at Once Reviews

"Everything Everywhere All at Once" is a movie which is written and also directed by "Daniel Kwan" and "Daniel Scheinert," together they are famous as Daniel. According to the writers and directors of this movie, some things are inevitable besides death, taxes, and probably the tasks that do not end, i.e., doing laundry. But this is until one takes a philosophical, emotional, and bizarre trip by looking into the glass of the multiverse and finds spiritual wisdom in their way.

• This is an R-rated movie.
• We can put this movie in Comedy, Sci-fi, Adventure, and Fantasy categories.
• This movie was originally released in English and later translated into different languages.
• The Box Office collection of this movie in the USA was 76.7 million dollars.
• This movie lasts two hours and twelve minutes, i.e., 132 minutes.
• Ley Line Entertainment, AGBO, and IAC Films are the Production Corporations for this movie.
• Dolby Digital provides the sound and music for this movie.
• Joe Russo, Anthony Russo, Dan Kwan, Jonathan Wang, Daniel Scheinert, and Mike Larocca are the producers of this movie.

Cast Members

Jamie Lee Curtis, Ke Huy Quan, Harry Shum Jr., Michelle Yeoh, James Hong, and Stephanie Hsu are the Crew members of this movie.

Storyline

Evelyn Wang (whose role is played by Michelle Yeoh) is an Asian foreign mother whose life is, by all accounts, in self-destruct mode. As she battles to communicate with her little girl Joy (whose role is played by Stephanie Hsu), her marriage with Waymond (whose role is played by Ke Huy Quan) is on the way toward separating. Together they own a laundromat business, and they are getting ready for a review by the IRS, civility of one surly specialist, Deirdre (whose role is played by Jamie Lee Curtis). In her busy schedule with all that, Evelyn likewise must prepare herself for a bit of a while with her fussy moderate dad, Gong Gong (whose role is played by James Hong).

Explanation of the Story

In this masterpiece, which is provided with the help of actor Michelle Yeoh (who is one of the leading roles in the movie), performs virtuously in the role of Evelyn Wang; she owns a laundry store in which laundry machines and services are provided under IRS audit; we first get to know about her husband Waymond (Ke Huy Quan plays this role) and their daughter Joy (Stephani Hsu plays this role). We saw that Michelle was spending happy moments with her family; we could see their smiling faces in the reflection of the mirror hanging on the wall of their living room.

As the camera zooms into the mirror, the smile of Evelyn starts to fade away with time, and she is shown at the table with tons of business receipts; she is preparing to meet with an auditor, Deirdre, who is coming to inspect the laundry, with all this she is preparing Chinese food for her father, who is coming to greet her as there was a Chinese New Year party that should live up the standards of her visiting father, Gong Gong, who is very hard to please.

On top of shuffling her dad's visit and the expense review, Evelyn's gloomy little girl Euphoria needs to bring her friend Becky (whose role is played by Tallie Medel) to the Chinese New Year party, and her husband needs to discuss the condition of their marriage with her. While Evelyn is being overpowered by everything occurring in her life nowadays, she is visited by one more person who looks similar to her, in other words, another Waymond from what he calls the Alpha section. Here people have figured out how to "verse jump" and are undermined by an omniverse specialist of mayhem, Jobu Tupaki. Before long, Evelyn is pushed into a universe-bouncing experience that makes them question all that she assumed she had some awareness of her life, disappointments, and attachment to her loved ones.

A large portion of the movie is set in an IRS place of business in Simi Valley (which is shown as a Californian, had viewers in lines), where Evelyn has to fight with IRS specialist Diedre, having a great time of her life, a group of safety officers, and perhaps every other person she has consistently met in her life, as Jason Kisvarday, is the production designer of this movie, he makes an infinite workspace filled office where everything from the edge of a paper trimmer to a butt plug formed evaluator of the year awards become fair game in a fight to save the universe.

As Paul Rogers is the editor of this movie, and his pace matches the script's frantic dialogues that are used in this movie, with layers of universes at the same time collapsing into one another while likewise driving Evelyn's inward journey. Match cuts flawlessly join the universes together; at the same time, playful cuts help push the humor at the film's core.

Brought into the world from decisions both made and not made, every universe has a distinct look and feels, with winking film references going from "The Matrix" to "The Fall" to "2001 A Space Odyssey" to "In the Mood for Love" to "Ratatouille," even Michelle Yeoh's heritage finds its direction in the movie with loving call-backs to her Hong Kong action movie days and the Wuxia exemplary "Crouching Tiger and Hidden Dragon." The battle successions, filmed under the direction of Andy and Brian Le, have a balletic beauty to them, carefully shot by cinematographer Larkin Seiple in wide shots that allow entire bodies to fill the frame in the movie.

As the leading actor, Yeoh is the anchor of the film, given a role that features her great talent as gifts, from her fine military craftsmanship abilities to her brilliant comic timing to her capacity to bring up vast profundities of deep human feeling, usually from a look or a response. She is a celebrity and a movie star, and this film shows it. Watching her sparkle so brilliantly and have a ton of fun brought tears to the eyes of reviewers for at least a time or two.

Similarly, as Evelyn takes advantage of Yeoh's iconography, features of Waymond can be tracked down all through Quan's unique career, the comic timing from his experience growing up jobs as Data in the movie "The Goonies" and Short Round in the movie "Indiana Jones and the Sanctuary of Destruction" reverberations in Evelyn's nebbish spouse; his work as a fight organizer appears in Alpha's smooth action legend equipped for utilizing a fanny pack to take out a group of attackers, even his experience as an assistant director to Wong Kar Wai on the movie "2046" can be found in the universe where he plays the good one who moved away. Quan handles these varieties very easily, bringing morals to each and filling in as a gentle update that there can also be strength in the kind person.

As Evelyn and Waymond's relationship moves with back-and-forth movements and evolves through the multiverses, their daughter Joy becomes the lynchpin. In a genuine breakout acting from Stephanie Hsu, Joy addresses a developing generational gap; Joy conveys the heaviness of Evelyn's broken relationship with her granddad and the mistake of the American dream unattained; her weirdness was as unfamiliar to her mom as the nation was the point at which she personally first showed up and her aimlessness is a bigger dissatisfaction due to all that Evelyn sacrificed for her to have a larger number of choices in the life of her daughter than she had. This strain appears in disobedience so extraordinarily that it extends past the multiverses into a domain where a monster all that bagel looms like a dark opening (black hole) ready to suck everybody into the deep darkness.

Suppose that void rises due to the pacification of generational trauma. In that case, Daniels sets it like it can be pushed down by those same generations from where it originated, with the help of unconditional love, if we choose sympathy and understanding despite rejection and judgment. Confusion reigns, and life may seem OK at any point in short-lived minutes, yet it is those minutes we ought to honor. Some movements of love and harmony sometimes happen all the time, but sometimes it happens all the time in our lifetime.

Conclusion

The movie "Everything Everywhere All at Once" is a movie we should watch with our family, but we consider it an R-rated movie. The storyline is quite good; one can connect it to their life. So, consider this movie for this weekend.