Thittam Irandu Review

July 30, marks the official release of Thittam Irandu on Sony LIV. Aishwarya Rajesh and Subash Selvam play the main characters in Vignesh Karthik's criminal thriller, which he also wrote and directed. The film, which features music by Sathish Raghu Nathan, is supported by Mini Studios and Sixer Entertainment.

First, the movie's plot is explained for a thorough understanding of the review. Next, the actors' performances are evaluated. Next, the technical features of the film are addressed to see how well they were executed. Next, the screenplay and dialogue are discussed because they affect the success or failure of the movie. Finally, the review of the movie is based on the previously mentioned factors, such as the actors' performances, music, screenplay, dialogue, and many more aspects of the film.

The Plot of the Movie

Police officer Aadhira (Aishwarya Rajesh) launches an inquiry to identify the killer responsible for a young woman's death. Aadhira has a personal connection to the murdered young woman, making her sympathetic to the situation. After the inquiry, Aadhira learns shocking information concerning the murder and is deeply shocked by the truth. What Thittam Irandu is all about is who committed the crime and what left Aadhira in shock. Thittam Irandu, a whodunit by Vignesh Karthik, opens with a killer committing a terrifying act on a wet night. The story has more to offer even though the plot first seems to be a cat-and-mouse game between the main character and the murderer. The filmmaker also addresses societal concerns; while some of them are well-known to us, the one that the narrative is built upon isn't often tackled in potboilers. This under-examined topic does provide freshness to the movie, but how the director approaches it attempts to feel half-baked.

Performances of Actors

1. Aishwariya Rajesh as Athira

Aishwarya Rajesh gives a polished performance as Aadhira, displaying a range of reactions with her eyes and body language. She is an excellent police officer, but several of her responses might have been more persuasive. Aishwarya deserves praise for starring in a movie that tackles a contentious and delicate subject, and she should be commended for doing so.

2. Subash Selvan as Arjun

Subash Selvam, who portrays one-half of Aishwarya Rajesh's duo, is talented and charming. Except for a few tiny emotional scenes, his acting as Arjun largely succeeds.

3. Gokul Anand as Kishore

Gokul Anand gives a quiet performance that is enjoyable to see as the caring spouse. The other actors are good at their jobs.

A Technical Nature

Editing and cinematography by Gokul Benoy and CS Premkumar, respectively, are both acceptable. The two blend seamlessly into the story. The cinematographer mostly employed an unearthly colour scheme throughout the movie. Even if Satish Raghunathan's music composition does a good job, there are occasions when it lacks the punch that is crucial for a thriller.

Screenplay, Dialogues, and Direction

Vignesh Karthik, the director, has made an adventurous attempt in terms of the script and its presentation, as we haven't seen a movie of this sort before. The closing act of Thittam Irandu will undoubtedly be remembered, and Vignesh did an excellent job of building tension throughout. Despite a few stumbles here and there, the screenplay is well-written, and Vignesh Karthik, who previously directed Yenda Thalaila Yenna Vaikala, has undoubtedly grown as a director. All the speculations will turn out to be false, and both you and Aadhira will be standing in the same queue and shocked similarly. Vignesh has seized on a highly intriguing concept, which is likely the movie's USP.

Music

If the background music in a movie isn't flawless, it may also make you dislike the story's progression, no matter how captivating it is. Satish Ragunathan, the film's music director, has composed music for this movie that enhances the captivating story and makes it more engaging to watch. The soundtrack improves several sequences in the movie.

Review

In the opening scene of Vignesh Karthik's Thittam Irandu, Aadhira, a cop, falls in love with an unknown individual (Arjun) and decides to occupy a bed on a bus with him. While their numerous encounters lead to affection for one another, the disappearance of Aadhira's childhood buddy Surya sets off a quarrel. Aadhira and her colleagues discover a roasted corpse in a completely burned vehicle after hearing the devastating news. Aadhira searches for the murderer, as the forensic report shows that Surya committed the crime. What happens next in Thittam Irandu's intriguing story?

Vignesh Karthick produced a well-written thriller with only a few small errors. As it moves forward and touches a delicate spot, the plot falters. It is commendable that someone would make the courageous choice to talk about the discrimination and psychological suffering that LGBT people experience. The use of phrases like "biological error" and "natural error" is where things go wrong and malfunction. Even though the thriller is about love, the director's conventional approach causes us to wonder about the loose ends rather than feel sympathy for the subject. Speaking about love, Kishore's unspoken devotion to Surya steals the spotlight, while Arjun and Aadhira's romance is underwhelming. Vignesh sets up a few suspects for the viewers, as is important in any good thriller. Is the murderer a previous partner? Gokul Anand, Surya's spouse, exhibits suspicious behaviour. Or is it someone Aadhira has never given a thought to? The script's twist is unexpected, which is to Vignesh's credit?but not in an enjoyable way. When the discoveries are delivered, you can't help but reflect on what we have learned thus far and question why such a complicated narrative was necessary. To put it mildly, the characters' motivations appear bizarre. The plot twists logic in every which way to suit its convenience, so forensic techniques are thrown to the wind. Additionally, the actors' voices get progressively shrieking as Emotion is scrawled in fluorescent on their foreheads. A transgender character is an important part of the story, yet despite the director's apparent sensitivity for Trans people; he refers to the trans identity using derogatory phrases like "biological error" and "natural problem." Additionally, it is troublesome to use cis actors in trans roles, particularly when done in the manner used in the movie. Giving trans personas sinister, perverse motivations is also highly harmful to the community since there are so few trans figures in popular culture. Trans activists have repeatedly voiced this concern, yet the film industry ignores them and continues to employ caricatured trans people to create tension and suspense.

Due to the absence of irrelevant delays, the investigation's course and how Aadhira's team moves the case ahead with the aid of interesting clues captivate the audience. The filmmaker makes sure that viewers are engrossed in the murder mystery while also organically addressing the issues of women's consent in relationships and forced marriages. Aishwarya can carry the entire movie by herself, and it is her sincere acting that makes it worth seeing.

The compelling twist and turns lead to a finale that partially convinces both the protagonist and the audience. Because of the staging, it's difficult to decide whether you feel sympathy for Surya's situation.

The movie lasts longer than two hours, which is a respectable amount of time for a thriller. However, because it proceeds at its speed, the audience is not engaged. Even though the storyline is full of surprises, the final 30 minutes of the movie receive full credit. As a policeman, Aishwarya Rajesh has done a respectable job of carrying out her duties. When she loses her best friend, her eyes can convey a thousand words. She may have done the part she demonstrates with greater justice if she had avoided wearing makeup in several situations.

The additional actors have all given the movie their best efforts to bring it to reality. Ananya Ramprasad as Surya, Subash Selvan as Arjun, and Gokul Anand as Kishore have all made sufficient contributions to the film's development. Because the majority of the sequences were shot at night, cinematography is quite crucial in the movie. The work of the director of photography Gokul Benoy is praised. However, Sathish Raghunathan's music and background soundtrack did nothing to enhance the movie's atmosphere.

The songs in the movie aren't memorable, and Arjun and Aadhira's romance falls flat due to forced passion and dramatic lip lock. However, the big revelation neatly and elegantly responds to every query we had without alienating any groups of individuals. But it will be welcomed if you have a better comprehension of it before you try. The staging makes it difficult to decide whether you should feel sorry for Surya for what she endured or disapprove of her for tricking Aadhira. The movie makes an effort to examine some issues from a transman's point of view. Ananya gives a commendable performance, and the scenes concerning the transman's character growth are recounted engagingly. The dialogue between the protagonist and his life partner is likewise outstanding to a fair extent, but the flow slows at the conclusion. The movie's closing 20 minutes tie up all the loose ends and force us to reconsider what happened before. Every line of conversation evokes powerful emotion, yet the true heart of the movie can only be seen at the very end. Overall, Thittam Irandu is a film with a social message, but it falls short of making an impact. It is the perfect weekend binge-watch, but perseverance is needed.